Skip to Content

BIG HITS(Wars And Songs Commencing From The Year I Was Born), video, sound, duration 15:30 minutes, ratio 16:9, 2017. Screenshot.
Talk in occasion of the exhibition “Utopias” part of the Syn Festival at Summerhall, Edinburgh, 2019.
A GROUP OF FRIENDS, plaster, acrylic paint, 16 x 24 cm, edition of three, 2019.TWO FRIENDS, plaster, spray paint, 10 x 15 cm, 2018.THE QUEUE, plaster, spray paint, edition of two, 20 x 25 cm, edition of two, 2018. Private Collection.WILD HORSES, plaster, acrylic paint, overall dimension 72 x 72 cm, nine parts 12 x 12 cm, 2019.THE RISE AND FALL OF YOUR CHOSEN EMPIRE, detail. Plaster and acrylic, 26 x 44 cm, 2019.THE RISE AND FALL OF YOUR CHOSEN EMPIRE, plaster and acrylic, 26 x 44 cm, 2019.THE MOUTH OF TRUTH, plaster, spray paint, nails, diameter 18cm, 2019.ON MY WAY TO WORK, plaster, acrylic paint, 16 x 18 cm, 2019.FRAGMENTS, detail. Plaster, spray paint, overall dimension 50 x 40 cm (approx.), five parts, 2019.FRAGMENTS, plaster, spray paint, overall dimension 50 x 40 cm (approx.), five parts, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.
Hope Dope Pope, scarf, 2018. Exhibition view from “Hawf ‘n’ Hawf (it’s a pals act)” at Dok Artist Space, 2018.Hope Dope Pope, scarf, 2018. Exhibition view from “Hawf ‘n’ Hawf (it’s a pals act)” at Dok Artist Space, 2018.Hawf ‘n’ Hawf (it’s a pals act), poster, 2018.
REALLY NEED AN ENEMY, vinyl lettering, mirror, 80 x 60 cm, 2018. Private Collection. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018, (Part of the installation “You, Me And The Dangerous Outcomes”). Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018. On top: UBER ALLES, vinyl lettering, 0.20 x 1.50 m, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018.GIMME DANGER, spray paint and oil on paper, screw on spikes, 21 x 30 cm, 2018.
LAUGHABLE, video still, HD video, 1 minute, 2018. Exhibition view from “Refraction” part of Glasgow International at #24hourwindow, Glasgow, 2018.REFRACTION, video still, HD video, 1 minute, 2018.
Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: BIG HITS (Wars And Songs Commencing From The Year I Was Born), video, sound, duration 15:30 minutes, ratio 16:9, 2017; BATTLEFIELD, Wood structure (2 m x 30 cm), fabric banner (50 x 40 cm), leather, plinth, camouflage dices, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: WAR MAP, digital print, 90cm x 125cm (folded 24cm x 12,5cm), edition of two, 2017; 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.
Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, 2017; NEC PLUS ULTRA, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: THE MERCATOR PROJECTION, spray paint on paper, 59×84 cm, edition of three, 2017; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, cotton fabric, spray paint, push pins, approx. 30x50cm, 2016; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, 2017.
WHOLE WORLD WORKING – Exhibition view at Collective Gallery. Photograph © Tom Nolan.BORDERS, acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29×21 cm (overall dimension 120×180 cm); 120×200 cm, three drawings 42×60 cm (overall dimension 120×260 cm), 2014. Exhibition view from “Whole World Working” at Collective Gallery, Edinburgh, 2016. Photograph © Tom Nolan.BORDERS, acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29×21 cm (overall dimension 120×180 cm); 120×200 cm, three drawings 42×60 cm (overall dimension 120×260 cm), 2014. Exhibition view from “Whole World Working” at Collective Gallery, Edinburgh, 2016. Photograph © Tom Nolan.BORDERS, acrilico su carta lucida, timbri, puntine. Trentasei disegni 29×21 cm (dimensioni totali 120×180 cm); 120×200 cm, tre disegni 42×60 cm (dimensioni totali 120×260 cm), 2014. Veduta della mostra “Whole World Working” at Collective Gallery, Edimburgo, 2016. Foto © Tom Nolan.