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The Rise and Fall of your Chosen Empire

A GROUP OF FRIENDS, plaster, acrylic paint, 16 x 24 cm, edition of three, 2019.TWO FRIENDS, plaster, spray paint, 10 x 15 cm, 2018.THE QUEUE, plaster, spray paint, edition of two, 20 x 25 cm, edition of two, 2018.WILD HORSES, plaster, acrylic paint, overall dimension 72 x 72 cm, nine parts 12 x 12 cm, 2019.THE RISE AND FALL OF YOUR CHOSEN EMPIRE, detail, plaster and acrylic, 26 x 44 cm, 2019.THE RISE AND FALL OF YOUR CHOSEN EMPIRE, plaster and acrylic, 26 x 44 cm, 2019.THE MOUTH OF TRUTH, plaster, spray paint, nails, diameter 18cm, 2019.ON MY WAY TO WORK, plaster, acrylic paint, 16 x 18 cm, 2019.FRAGMENTS, detail, plaster, spray paint, overall dimension 50 x 40 cm (approx.), five parts, 2019.FRAGMENTS, plaster, spray paint, overall dimension 50 x 40 cm (approx.), five parts, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.Exhibition view from “The Rise and Fall of Your Chosen Empire” at “Ltd Ink Corporation”, 2019.

Hawf ‘n’ Hawf (it’s a pals act)

Hope Dope Pope, scarf, 2018. Exhibition view from “Hawf ‘n’ Hawf (it’s a pals act)” at Dok Artist Space, 2018.Hope Dope Pope, scarf, 2018. Exhibition view from “Hawf ‘n’ Hawf (it’s a pals act)” at Dok Artist Space, 2018.Hawf ‘n’ Hawf (it’s a pals act), poster, 2018.

Dozen

REALLY NEED AN ENEMY, vinyl lettering, mirror, 80 x 60 cm, 2018. Private Collection. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018, (Part of the installation “You, Me And The Dangerous Outcomes”). Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018. On top: UBER ALLES, vinyl lettering, 0.20 x 1.50 m, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh. From left to right: HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018.GIMME DANGER, spray paint and oil on paper, screw on spikes, 21 x 30 cm, 2018, (Part of the installation “You, Me And The Dangerous Outcomes”). Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.

Refraction

LAUGHABLE, video still, HD video, 1 minute, 2018. Exhibition view from “Refraction” part of Glasgow International at #24hourwindow, Glasgow, 2018.REFRACTION, video still, HD video, 1 minute, 2018.

Acies

Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: BIG HITS (Wars And Songs Commencing From The Year I Was Born), video, sound, duration 15:30 minutes, ratio 16:9, 2017; BATTLEFIELD, Wood structure (2 m x 30 cm), fabric banner (50 x 40 cm), leather, plinth, camouflage dices, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: WAR MAP, digital print, 90cm x 125cm (folded 24cm x 12,5cm), edition of two, 2017; 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.

Melon

Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.

W.W.W. (Whole World Working)

WHOLE WORLD WORKING – Exhibition view at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan

Goulash

Exhibition view from “Goulash” at The Number Shop, 2016.Exhibition view from “Goulash” at The Number Shop, 2016.Exhibition view from “Goulash” at The Number Shop, 2016.

Enough

A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Enough, Exhibition handout.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016.ENOUGH, detail.Exhibition view from “Enough” at The Number Shop, 2016.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.

Super Market Art Fair

Supermarket Art Fair Stockholm with Interviewroom11 Gallery, April 2015 – still from video ©IR11/Ellyce MoselleSupermarket Art Fair Stockholm with Interviewroom11 Gallery, April 2015 – still from video ©IR11/Ellyce Moselle