REALLY NEED AN ENEMY, vinyl lettering, mirror, 80 x 60 cm, 2018. Private Collection. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018, (Part of the installation “You, Me And The Dangerous Outcomes”). Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018. On top: UBER ALLES, vinyl lettering, 0.20 x 1.50 m, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018.GIMME DANGER, spray paint and oil on paper, screw on spikes, 21 x 30 cm, 2018.
Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, 2017; NEC PLUS ULTRA, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: THE MERCATOR PROJECTION, spray paint on paper, 59×84 cm, edition of three, 2017; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, cotton fabric, spray paint, push pins, approx. 30x50cm, 2016; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, 2017.
FOR YOUR PLEASURE, audience interacts with the installation during the opening of “Goulash” at The Number Shop, Edinburgh, 2016.FOR YOUR PLEASURE, two channel video, sound, inflatable balloons (32 X ø 40cm), paint, 2016. Exhibition view from “Goulash” at The Number Shop, Edinburgh.
ARTIFICIAL LANDSCAPE, paint, PVC, mirror paper, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. Photo © Ellyce MoselleTRIPTYCH, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh, 2014.
From left to right: MANIFESTO OF WESTERN HAPPINESS, 2014; TRIPTYCH, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh, 2014. From left to right: MANIFESTO OF WESTERN HAPPINESS, 2014; TRIPTYCH, 2014; BORDERS, 2014.Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. From left to right: ARTIFICIAL LANDSCAPE, 2014; BORDERS, 2014.ARTIFICIAL LANDSCAPE, paint, PVC, mirror paper, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. Photo @ Lucho CBMANIFESTO OF WESTERN HAPPINESS (Magenta Edition), audience listening to the audio installation. Exhibition from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014.ROMOLUS & REMUS, tape, chair, loop animation and sound, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 gallery, Edinburgh, 2014.
