BORDERS, acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29×21 cm (overall dimension 120×180 cm); 120×200 cm, three drawings 42×60 cm (overall dimension 120×260 cm), 2014. Installation view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh.
BORDERS, detail (The Berlin Wall). Acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29 x 21 cm (overall dimension 1.20 x 1.80 m); 120 x 200 cm, three drawings 42 x 60 cm (overall dimension 1.20 x 2.60 m), 2014.
Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. From left to right: BORDERS, 2014; ARTIFICIAL LANDSCAPE, 2014.
BORDERS, detail (The Great Depression, Dow Jones index 29/10/1929). Acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29 x 21 cm (overall dimension 1.20 x 1.80 m); 120 x 200 cm, three drawings 42 x 60 cm (overall dimension 1.20 x 2.60 m), 2014.
BORDERS, acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29×21 cm (overall dimension 120×180 cm); 120×200 cm, three drawings 42×60 cm (overall dimension 120×260 cm), 2014. Exhibition view from “Whole World Working” at Collective Gallery, Edinburgh, 2016. Photograph © Tom Nolan.
BORDERS, acrylic on tracing paper, rubber stamp, push pins. Thirty-six drawings 29×21 cm (overall dimension 120×180 cm); 120×200 cm, three drawings 42×60 cm (overall dimension 120×260 cm), 2014. Installation view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh.
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