A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.ENOUGH, raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.

Enough, Alessandro Di Massimo, The Number Shop, Edinburgh

Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.

Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.

Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.

Alessandro Di Massimo Enough

Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.

Alessandro Di Massimo Enough

ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.

Alessandro Di Massimo Enough

ENOUGH, (Day 1), raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.

Alessandro Di Massimo Enough

ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.

A JEERING CROWD by Alessandro Di Massimio

A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.