REALLY NEED AN ENEMY, vinyl lettering, mirror, 80 x 60 cm, 2018. Private Collection. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018, (Part of the installation “You, Me And The Dangerous Outcomes”). Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: BECAUSE THE NIGHT, AND MANY OTHER THINGS, BELONG TO LOVERS, oil on paper, eyelets, nails, 70×120 cm, 2018; HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018. On top: UBER ALLES, vinyl lettering, 0.20 x 1.50 m, 2018.YOU, ME AND THE DANGEROUS OUTCOMES, various materials, 2018. Exhibition view from “Dozen” at Embassy Gallery, Edinburgh.
From left to right: HIGH FIVE!, sand paper, spray paint, 17 x 14 cm, 2018; LOVERS, spray paint and oil on paper, eyelets, nails, 30 x 40 cm, 2018; SAINT SEBASTIAN, spray paint on paper, 30 x 40 cm, 2018; GIMME DANGER, spray paint and oil on paper, spike studs, 21 x 30 cm, 2018.GIMME DANGER, spray paint and oil on paper, screw on spikes, 21 x 30 cm, 2018.
LAUGHABLE, video still, HD video, 1 minute, 2018. Exhibition view from “Refraction” part of Glasgow International at #24hourwindow, Glasgow, 2018.REFRACTION, video still, HD video, 1 minute, 2018.
Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: BIG HITS (Wars And Songs Commencing From The Year I Was Born), video, sound, duration 15:30 minutes, ratio 16:9, 2017; BATTLEFIELD, Wood structure (2 m x 30 cm), fabric banner (50 x 40 cm), leather, plinth, camouflage dices, 2017.Exhibition view from “ACIES” at The Number Shop, Edinburgh, 2017. From left to right: WAR MAP, digital print, 90cm x 125cm (folded 24cm x 12,5cm), edition of two, 2017; 21 JULY 2001, marble powder cast, scale model clothing, fire extinguisher scale model, digital print, plinth. (Statue 45 x 20 cm; plinth 25 x 15 x 15cm), 2017; CAMOUFLAGE#5, (composition with 38 land masses from the NATO and the Warsaw Pact alliances), 150cm x 112cm, spray paint on paper, spike studs, 2017.
Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, 2017; NEC PLUS ULTRA, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: THE MERCATOR PROJECTION, spray paint on paper, 59×84 cm, edition of three, 2017; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, Edinburgh, 2017. From left to right: ATLAS#1, cotton fabric, spray paint, push pins, approx. 30x50cm, 2016; NEC PLUS ULTRA, wood, spray paint, inflatable globe map, two parts of 120×40 cm, 2017.Exhibition view from “Melon” at The Number Shop, 2017.
FOR YOUR PLEASURE, audience interacts with the installation during the opening of “Goulash” at The Number Shop, Edinburgh, 2016.FOR YOUR PLEASURE, two channel video, sound, inflatable balloons (32 X ø 40cm), paint, 2016. Exhibition view from “Goulash” at The Number Shop, Edinburgh.
A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.ENOUGH, raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.
A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.ENOUGH, raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.
