FOR YOUR PLEASURE, audience interacts with the installation during the opening of “Goulash” at The Number Shop, Edinburgh, 2016.FOR YOUR PLEASURE, two channel video, sound, inflatable balloons (32 X ø 40cm), paint, 2016. Exhibition view from “Goulash” at The Number Shop, Edinburgh.
A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.ENOUGH, raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.
A JEERING CROWD, Oil on paper, 50×100 cm, 2015, Private Collection. Exhibition view from “Enough” at The Number Shop, Edinburgh, 2016. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Interaction: spectators spray the sculpture with water during the opening of “Enough” at The Number Shop, 15 April 2016, Edinburgh.ENOUGH, (Day 7), raw clay, spray bottle, 100x25x15 cm, 2016.ENOUGH, detail. Raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.ENOUGH, raw clay, spray bottle, 100x25x15 cm, 2016. Exhibition view from “Enough” at The Number Shop, Edinburgh.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; HOPE/DOPE, video loop, digital frame, BT distribution box, 2016.; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.Exhibition view from “Enough” at The Number Shop, 2016. From left to right: A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; ICARUS, alarm call boxes (8x8x3 cm each), glue blister, feathers, digital print, 2015.Exhibition view from “Enough” at The Number Shop, 2016. From left to right. EVERYTHING THAT CAN HAPPEN BETWEEN YOU AND ME, Kinegram animation, variable dimension (3 x A4 digital prints), 2016; ENOUGH, raw clay, spray bottle, water, 100x25x15 cm, 2016; A JEERING CROWD, Oil on paper, 50×100 cm, 2015. Inspired by “A Jeering Crowd: Fragment of a Mocking of Christ” by Hans Memling, 1485, from the Scottisch National Gallery collection.
ARTIFICIAL LANDSCAPE, paint, PVC, mirror paper, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. Photo © Ellyce MoselleTRIPTYCH, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh, 2014.
From left to right: MANIFESTO OF WESTERN HAPPINESS, 2014; TRIPTYCH, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, Edinburgh, 2014. From left to right: MANIFESTO OF WESTERN HAPPINESS, 2014; TRIPTYCH, 2014; BORDERS, 2014.Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. From left to right: ARTIFICIAL LANDSCAPE, 2014; BORDERS, 2014.ARTIFICIAL LANDSCAPE, paint, PVC, mirror paper, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014. Photo @ Lucho CBMANIFESTO OF WESTERN HAPPINESS (Magenta Edition), audience listening to the audio installation. Exhibition from “I’ll Be Your Mirror” at Interview Room 11 Gallery, Edinburgh, 2014.ROMOLUS & REMUS, tape, chair, loop animation and sound, 2014. Exhibition view from “I’ll Be Your Mirror” at Interview Room 11 gallery, Edinburgh, 2014.
