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Dozen

REALLY NEED AN ENEMY, lettere adesive, specchio, 80 x 60 cm, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.YOU, ME AND THE DANGEROUS OUTCOMES, tecnica mista, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.YOU, ME AND THE DANGEROUS OUTCOMES, tecnica mista, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.YOU, ME AND THE DANGEROUS OUTCOMES, tecnica mista, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.YOU, ME AND THE DANGEROUS OUTCOMES, tecnica mista, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.YOU, ME AND THE DANGEROUS OUTCOMES, tecnica mista, 2018. Veduta della mostra “Dozen” presso Embassy Gallery, Edimburgo.

Refraction

RIDICOLO, video still, HD video, 1 minute, 2018. Veduta della mostra “Refraction” parte di Glasgow International presso #24hourwindow, Glasgow, 2018.RIDICOLO, video still, HD video, 1 minute, 2018.

Acies

Veduta della mostra “ACIES” presso The Number Shop, 2017.Veduta della mostra “ACIES” presso The Number Shop, 2017.Veduta della mostra “ACIES” presso The Number Shop, 2017.

Melon

Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.Exhibition view from “Melon” at The Number Shop, 2017.

W.W.W. (Whole World Working)

WHOLE WORLD WORKING – Exhibition view at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan.BORDERS, pen, rubber stamp, tracing paper, push-pins, 2014. Exhibition view Whole World Working at Collective Gallery. Photograph © Tom Nolan

Goulash

Exhibition view from “Goulash” at The Number Shop, 2016.Exhibition view from “Goulash” at The Number Shop, 2016.Exhibition view from “Goulash” at The Number Shop, 2016.

Enough

A JEERING CROWD, [Folla Urlante], Olio su carta, 50×100 cm, 2015. Vista installazione da “Enough” presso The Number Shop. Ispirato a “A Jeering Crowd: Fragment of a Mocking of Christ” [Folla Urlante: Frammento da una “Derisione di Gesù”] by Hans Memling, 1485, dalla collezione della Scottisch National Gallery.Enough, Exhibition handout.Interaction: audience spray the sculpture with water during the opening of “Enough” at The Number Shop.Exhibition view from “Enough” at The Number Shop, 2016.ENOUGH, detail.Exhibition view from “Enough” at The Number Shop, 2016.Exhibition view from “Enough” at The Number Shop, 2016.Exhibition view from “Enough” at The Number Shop, 2016.

Super Market Art Fair

Supermarket Art Fair, Interviewroom11 Gallery, April 2015 – still from video ©IR11/Ellyce MoselleSupermarket Art Fair, Interviewroom11 Gallery, April 2015 – still from video ©IR11/Ellyce Moselle

I’ll Be Your Mirror

ARTIFICIAL LANDSCAPE, exhibition view from “I’ll Be Your Mirror” at Interviewroom11 gallery, 2014. Photo © Ellyce MoselleExhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.ROMOLUS & REMUS, tape, chair, loop animation and sound, 2014. installation view from “I’ll Be Your Mirror” at Interviewroom11 gallery.Exhibition view from “I’ll Be Your Mirror” at Interviewroom11 Gallery, 2014.